How to learn Swedish in 1000 difficult lessons

Eduardo.

All about him, all about Edu.

First, he is small.

This might explain a good deal, making up for his size as he does by the extraordinary amount of space he seems to occupy... is it because he moves so much? So restlessly, endlessly cutting his way neatly through the apartment like a little sailboat tacking across the sea. He appears so efficient as he mops the floor with fierce sopping strokes, back and forth and back and forth. And yet, he is not efficient, the cleaning and rearranging of the apartment, moving plants from one balcony to the sink and then the other balcony for instance, is more of a ritual, a kind of purifying eucharist. (He is in fact inefficient with his cleaning, with his time, his money, his energy.) But the movement only explains in part, the space he occupies. The rest is all emotion.

His hands. The nails are chewed to the quick, the skin rough and dry, the fingers small as the rest of him. His hands are, I'm sure, older than the rest of him, so much a part of him but with their own peculiar life, a pair of well-trained swallows doing and not doing his bidding. The singularity of those hands, like as not, with a cigarette, an inch of ash at the tip, tucked carelessly between any two adjacent fingers or thumb, it doesn't seem to matter which two. I laugh, just thinking of it, at how he claps his hands together like a very little boy, his fingers splayed, palms bouncing.

His eyes, not blue, and not green or brown but somewhere midst the three colors, are rimmed in short, very black lashes that, like any good picture frame, are pleasing in and of themselves while calling attention to the art they encircle. Edu's eyes seem to be the source of all his happiness and woe, taking in what is given and sending it fiercely back out, honed and polished and sometimes ugly, but always steeped in that great overwhelming emotion.

His teeth are white and perfect except for one missing incisor, his nose small and slightly hooked, a distinguished Italianate nose from his father's side of the family. His dark hair is cut close to his scalp.

His limbs, those skinny arms and legs of his, are just as tough as they look. Edu has a certain physical strength, he can lug an ungainly and ugly easy chair up the seven flights of stairs to his apartment, and, after Pepa the cat has pissed in the same chair one too many times and nothing will remove the smell, well, he can lug the chair back down the seven flights and onto the street, where he found it in the first place.

But these are mere physicalities. It would take a book to capture him to the full.
(from a Barcelona journal, 1998)

Eduardo Destrí
b. May 19, 1960 - Buenos Aires
d. August 9, 2002 - Barcelona

I am heartsick.

- by Francis S.