The evening started in L.'s apartment with a mojito - the husband and A., the assistant producer and C., the fashion photographer, and R., the r&b star, and L.'s boyfriend, and me.
It was a dinner of lamb with prunes, and couscous, and blood oranges, and almonds. And then there was lots of red wine, and everyone talking at once, agreeing and disagreeing about exactly how much manic despression is due to chemistry and how much it is due to sociology, about overpopulation and personal responsibility and sorting one's trash for recycling, about Michael Jackson and his ability or inability to influence the media, and we went round the table and gave out our middle names, those of us who have them.
"I have a great story," A., the assistant director said. "You know the actress is still playing the maid in A Doll's House. Well, the other day, during the performance while the lead actors were in the middle of their dialogue, a mobile phone rang in the audience and the guy actually answered it and everyone could hear him say: 'I'm at the theater. Mmm-hmmm. So-so...' It was all they could do not to burst out laughing, they just had to keep on playing . But afterwards, the whole cast laughed their heads off."
It's great to know that actors have a sense of humor about this kind of thing.
The Swedish verb for the day is att bli. It's a verb that doesn't translate so easily - it means to be or to become, and I misuse it often, as it's used when a change of condition is implied as far as I can tell. Att vara means to be when no change of condition is implied. I suppose there's some kind of rule about when to use which form, but mostly I learn it by listening.
- by Francis S.